Tuesday, February 28, 2012

When I Look You In The Foot, I See Your Face








  





When you look across a room, when you cross paths on a walkway, when you're walking in your own little world, where does your gaze fall? When walking through the world on foot, supporting every step, is a shoe. Some walk through the world with their heads down, and their first impression of a person is the shoes they choose to wear.


High heels. Boots. Sandals. Tennis shoes. Wedges. Clogs. Slippers. Goulashes.


All functional. In their own way. Even if they look similar, each has its own unique story. Each has tread a unique path, has taken steps and trails, splashed through puddles and plodded through snow that no shoe will ever experience in the same way. Whether people like it or not, shoes are an important part of our lives, even if we only give them less than a second's thought. Purple laces, or grey laces? Do these wedges look good with capris, or are the sling backs a better fit? Do these come with velcro straps? 


Even with the modern implementation of cars, walking (and subsequently the wearing of shoes) is a daily task. Getting dressed in the morning, some meticulously piece together each part of their outfit, hair ties matching makeup, belts matching shoes. There are dozens upon dozens of choices for which shoes to wear and each is placed lovingly in its own spot, ready to be chosen and shown off at a moments notice. Then there are those who shlep the day, sleeping until the last possible moment. Clothes are thrown on haphazardly and shoes are tugged, squashed, and mashed on, usually accompanied by a hop, hop, hop out the door and down the hall. But they are always there.


No matter their condition or how much thought or care is taken of them, shoes accompany us every day. Those who choose not wear shoes, jokingly called "trippy dippy hippies", are thought of as crazy, because who wants to go through life unprotected from the elements of the world? Who wants to be exposed to the muck that normally collects on the underside of a sole, wants to plod recklessly across gravel and hot tar during summers that are wished to never end? They have rips and tears, scuffs and scars, but they are loved just the same, if not more so. Some are held together with duct tape, bailing twine, an extra dose of crazy glue. But that day will finally come when a wound is inflicted that even duct tape cannot mend.


The soles are hopelessly holed, that tear along the heel is too large, the rain seeps too cold through the sock and in between the toes. Laces break, heels snap and crumble, tread wears off, embroidery and designs finally unravel and fall to the dust. We ties those laces together, stuff one shoe inside another, roll in a plastic bag if the smell is bad enough, and off to the landfill they go. The Land of Forgotten Shoes. The shoes who were there for junior prom, for the first time you rode a bike, walking on the beach with best friends, slippers snuggled by the fire on Christmas Eve. They are tossed aside, mashed in the grinder, gone.


But shoes are not people. Shoes are not memories, though they may hold them, bring them to mind. They are piled together pieces of rubber, leather, cotton, and polyester, nothing more. They may have kept feet warm, may have helped to climb a mountain, or showed off those calves at a high school reunion, but it seems important to add, that those in the shoes have so much more to offer than the shoes themselves. Because shoes, without a person, are just shoes. They will tread no paths, they will forge no trails, they will hike no mountains. The sole of the shoe may be rubber, but the soul of the shoe is the person who choses to give it life.

Tuesday, February 21, 2012

When I Look You In The Foot, I See Your Face

-DRAFT VERSION-

When you look across a room, when you cross paths on a walkway, when you're walking in your own little world, where does your gaze fall? Everyone walks through the world and on their feet, supporting every step, is a shoe. Some walk through the world with their heads down, and their first impression is of a person are the shoes they choose to wear.

High heels. Boots. Sandals. Tennis shoes. Wedges. Clogs.

All functional. In their own way. Even if they look similar, each has its own unique story. Each has tread a unique path, has taken steps and paths, splashed through puddles and plodded through snow that no shoe will ever experience in the same way.

-NOT FINAL-

Tuesday, February 7, 2012

Country Road, Take Me Home: The Life of A Country Doctor

http://life.time.com/photographers/life-classic-eugene-smiths-country-doctor/?iid=lf%7Clatest#1

Black and white. Scenes of death, disease, hardship. Also scenes of healing, joy, and new life. On their own, each photo portrays a different scene of a mid 1940s doctor. However, in a series, the photographs display the vast array of tasks doctors had to perform across the countryside during and after WWII.

Personally, I felt the arrangement of the photographs wasn't planned very well. There was a bit of juxtaposition of life and death, and grief and joy, but otherwise, the photographs were mainly ordered chronologically. I was confused why Ernest Ceriani (the doctor's) medical equipment picture was one of the last photographs. I felt it would have had a great impact on many of the photograph if shown earlier in the series, especially in the photographer showing the delivery of a baby. However, the final photograph is beautiful, the doctor going home at the end of the day, which I'll show below. It ends the series very nicely, showing the circular nature of the craft, going home only to be called out again, and probably at some ungodly hour.


What I have already briefly touched upon, the narrative of the hardships of life, but also the triumphs of life in the mid 1940s, is very clearly shown throughout the series. My favorite image from the series I will show below, but basically Dr. Ceriani is pulling out the baby, with the expression on his face that says, "Holy Crow! It's a baby! Would you look at that?" It just makes me smile, especially thinking about another picture in the series that shows a family surrounding a dead relative, sheet already pulled up over his chin. That this doctor can bring so much joy even after he has failed to save lives in the past truly is a testament to the human spirit.


Of course the main focus of this series is people, especially the duties of Dr. Ceriani, but there are also shots of the towns he worked in, as well as his equipment. All of these seem to add to the mystique of the doctor, the kind of back country feel you get from the title. I think the contrasts of dark and light, happy and sad, are what the photographer Ernest Smith was trying to satirically reflect about society at the time. Young men are dying by the millions in WWII, the world has already suffered the hardships of WWI. And yet, life goes on. Babies are born, people get kicked by horses, little Jimmy down the street has a cut on his arm that needs stitches. I think Smith was trying to examine the thought process and the lifestyle that Dr. Ceriani plays out every day, yeah this shit is hard, but it's worth it. 

I think these photographs could have also served a purpose to the United States government after the conclusion of WWII, that "Look everybody! We know your sons died out there, but look at how beautiful life can still be!" It also is a way to desensitize grief, that there are other people out there suffering from a loss, so if they can keep on living, so can you. Whether or not this series was used for that purpose, I'm really grateful for this assignment, as I likely never would have seen this series otherwise.